COURSES

New courses are added every month!

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OY! THE HORROR!
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Created at the suggestion of two of our favorite FilmShul attendees, this new program takes an occasionally terrifying but often light-hearted look at the history, growth and status of Jewish horror cinema. Beginning with the landmark 1920 German silent film The Golem, based on the ancient Hebrew legend, Jewish horror films have proven to be one of cinema’s most fascinating sub-genres. From the shocks of such chillers as The Unborn, The Possession and The Vigil to the horrific yucks of The Fearless Vampire Killers and An American Werewolf in London, no tombstone will be left unturned! We’ll also run down the stories behind a couple of the major “Christian” horror films that were made by Jewish filmmakers. (The Exorcist, anyone?).

IN THE BEGINNING...
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The American film industry was started primarily by Jews who had emigrated from eastern Europe and settled in big cities like New York and Chicago, supporting their families by dealing in everything from clothing to food to jewelry. Transfixed with the flourishing of nickelodeons and storefront theaters in the early years of the 20th century, interests for a number of them shifted to the entertainment business.  Soon, some made their way to Southern California, where they opened the large-scale motion picture studios that became Paramount, MGM, Warner Brothers, 20th Century Fox, Columbia and Universal. Discover the fascinating story of how men like Adolph Zukor, Carl Laemmle, Louis B. Mayer, Harry Cohn and others began Hollywood with their ambition, ingenuity and keen instincts.     

HOLLYWOOD’S JEWISH NEW WAVE
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From the late Sixties into the mid-Seventies, Jewish-American cultural visibility was at its height, with comedy, literature and films making major inroads into public consciousness and popular culture. A formidable wave of leading men and women with names like Hoffman, Grodin, Streisand, Gould, Benjamin and Segal became popular movie stars, appearing in such critical and commercial favorites as The Graduate, The Heartbreak Kid, Funny Girl, Goodbye, Columbus, Where’s Poppa?, Bye Bye Braverman and others. Launching mainstream Hollywood’s conception of the “schlemiel-mensch” everyman and the “nice Jewish girl,” the characterizations may have changed over the years, but the movies remain timeless and unforgettable.

HOLLYWOOD'S GREAT JEWISH FILMMAKERS
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We wouldn’t even dare to try to proclaim who is the best Jewish filmmaker of them all, but of the scores of notable directors, there are a good number of them that rise above the rest. And our list goes far beyond the inevitable inclusion of Mel, Woody, Steven, Billy and the Coen Brothers and into the realm of such filmmakers as Frederick Wiseman, Nora Ephron, Judd Apatow, Joan Micklin Silver and David Mamet.  So, step up for our survey of a healthy handful of the undeniable greats, a wholly opinionated and inescapably divisive topic that everyone will enjoy.

SPIELBERG!
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Like the “Fellini-esque” Fellini and the “Hitchcockian” Hitchcock before him, Steven Spielberg is an artist whose work is so ubiquitous and instantly identifiable that his name has inspired its very own adjective—“Spielbergian.” One of the most commercially successful directors of all time, Spielberg is the creator of such beloved modern classics as Jaws, Close Encounters of the Third Kind, E.T. and the Indiana Jones and Jurassic Park series. We examine the life and career of the grand storyteller, with a particular focus on his upbringing as an Orthodox Jew and his later Jewish re-awakening, which yielded such vital works as Schindler’s List and Munich. His interests have also inspired the creation of the Shoah Foundation and Righteous Persons Foundation, which make Jewish history and tradition more accessible to all.

GO COEN OR GO HOME
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Joel and Ethan Coen have been making feature films since 1984, when they drew waves of great reviews and attention with their debut, the stylish film noir Blood Simple. From the beginning, everyone could recognize the Jewish siblings from Minnesota as being unique, intelligent and wildly talented. They proved this time and again with such films as Raising Arizona, Miller’s Crossing, The Big Lebowski, Fargo, A Serious Man, O Brother, Where Art Thou? and the Oscar-winning No Country for Old Men. And the Brothers Coen have always been open in showing their Jewish roots throughout their career, in both solemn and comedic ways. Join us in examining their fascinating career, from their beginning as prodigies fresh out of college through their older—but not always more mature—years as expert writers, directors and producers.

FUNNY GIRLS
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Beginning with Jewish mother caricatures in the silent era through their evolution to becoming an indispensable segment of the Hollywood storytelling machine, Jewish women have never failed to capture the big screen with their attitudes, intelligence, appearance, style and, most of all, proudly Jewish wit.  From such attention-getting character actresses as Judy Holliday, Selma Diamond, Madeline Kahn, Sandra Bernhard, Sylvia Miles and Doris Roberts to superstars like Fanny Brice, Gertrude Berg, Bette Midler, Barbra Streisand and Julia Louis-Dreyfus, we’re giving it up for the ladies and all the laughs they’ve provided over the decades. And we won’t forget about Shelley Winters!

IT'S GOOD TO BE MEL BROOKS
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As a comic, writer, actor and director, Mel Brooks embodies the essence of Jewish comedy. His beginnings as a Borscht Belt comic in the Forties, a writer on television’s seminal Your Show of Shows in the Fifties and the co-creator of TV’s Get Smart and improvisational 2000 Year Old Man recordings in the Sixties served as the ultimate warm-up for a motion picture career that includes such landmark films as The Producers, Blazing Saddles, Young Frankenstein and others that he wrote, directed and starred in. It didn’t come as a surprise that he later launched a Tony-winning Broadway career at the age of 76. As Mel has said, “It’s good to be the king!”—and it’s even better to celebrate King Mel's life and career.

STRAIGHT OUT OF BROOKLYN
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What is it about Brooklyn that has made it show business’s most fertile breeding ground for so many of the world’s most talented Jewish entertainers? Discover the colorful, culturally rich neighborhoods of Coney Island, Prospect Park, Flatbush, Brooklyn Heights, Bay Ridge and Bed-Stuy, which have given us the likes of Adam Sandler, Joan Rivers, Phil Silvers, Barbra Streisand, Harvey Keitel, Marvin Hamlisch, Lena Dunham, Woody Allen, Mel Brooks, Elliott Gould, Jerry Goldsmith, Debra Messing and many more. We also look at the indelible image of Jewish Brooklyn as portrayed in film and television over the years.

THE HOLLYWOOD BLACKLIST
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The Hollywood Blacklist of the late 1940s and 1950s marked a dark time in history. Fueled by the efforts of powerful Senator Joseph McCarthy, the Blacklist impacted the major film studios and the lives of entertainment industry professionals, from devout members of the Communist party to those who had little interest in the party’s beliefs.  Many of those caught in the middle of this powerful political storm were Jewish, including John Garfield, Ruth Gordon, Larry Parks, Arthur Miller, Edward G. Robinson, Zero Mostel and Lee Grant. This program looks at how the Blacklist came about, how it divided the country and how a few brave Jewish movie patriots’ actions led to its downfall.

FROM THE CATSKILLS WITH LOVE
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The now mostly shuttered summer resorts of Southeastern New York’s Catskill Mountains—Grossinger’s, Kutsher’s, the Raleigh, the Concord, the Pines and others—provided the formative years for many prominent Jewish comedy stars for a number of decades up through the 1970s. Discover the origins of the region that came to be known as the Borscht Belt and how such youngsters as Woody Allen, Shelley Berman, Totie Fields, Milton Berle, Jack E. Leonard, Joan Rivers, Jerry Lewis, Betty Garrett, Danny Kaye and Myron Cohen left their audiences in stitches. Plus, we take a look at the movies inspired by the “Jewish Alps.”      

JEWISH HUMOR WATCHES TV, Pt. 1
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When television rolled out to American audiences in the late 1940s, Jewish actors, comics and behind-the-scenes writers, directors and producers were among the first to hop onto the new form of technology. Many were veterans from radio, theater or vaudeville, but they soon made their mark on the small screen, beamed into millions of homes each week. In the first entry of a 3-part series, we track the history of the Jewish humor on TV, beginning with George Burns, The Goldbergs, The Milton Berle Show and Your Show of Shows with Sid Caesar, among others. Future installments will look at the rise of peak Jewish TV and such shows as Rhoda, Brooklyn Bridge, Seinfeld, Curb Your Enthusiasm with Larry David and, most recently, The Marvelous Mrs. Maisel and The Kominsky Method.

WWII & HOLLYWOOD’S JEWISH QUESTION
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The Production Code in 1934, the Great Depression, the rise of the Nazi Party in Germany and a general growth in anti-Semitism didn’t bode well for the Hollywood studio moguls, Jewish men like Louis B. Mayer, Harry Cohn, Jack Warner and others who virtually created Hollywood. The moguls tried to ignore the rise of Nazism but that could only go so far, even as they continued distributing films in Germany up until the war broke out and not making an anti-Nazi film until 1940. With World War II & Hollywood’s Jewish Question, we look at how the Jewish moguls reacted--and failed to react--to what was happening in Europe in the 1930s, and how they proceeded through the war and its subsequent years. 

$360 per course, per organization 

Maximum enrollment per course: 50 screens